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Collection data and imagery from museum open-access programs (CC0): Art Institute of Chicago, Isabella Stewart Gardner Museum, Mauritshuis, Mohamed Mahmoud Khalil Museum, Musée d'Orsay, National Gallery of Art, SMK — National Gallery of Denmark, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, The National Gallery, Van Gogh Museum, Whitney Museum of American Art. Display states carry their verification time and source, and are never inferred.

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Collection
National Gallery of Art
Bound Satyr

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AAndrea Briosco, called RiccioItalian

Bound Satyr

Sculpture

Can I see it?

Not right now — not currently on view

National Gallery of Art

Washington, D.C., United States

This work belongs to the collection but is not currently on public display.

Verified: 12 d ago· verified
In this state since: Aug 19, 2026
Source: Official museum collection data

View on map Museum page

About

“Bound Satyr” is a sculpture by Andrea Briosco, called Riccio (Italian). The catalog places it within Paduan and Renaissance, with satyr, classical, and bondage among its subjects. It belongs to the collection of National Gallery of Art in Washington, D.C., and is not confirmed on public display right now. ART MAP tracks this work's display status over time, with every claim carrying its source and verification date.

Details

Artist: Andrea Briosco, called Riccio
Medium: Sculpture
Accession number: 1957.14.33

In the catalog

Paduan Renaissance Satyr Classical Bondage

Market

No public auction anchor for this work’s market context yet.

Auction history

No public auction records tracked for this work. Sales at Christie’s, Sotheby’s and Phillips will appear here as the index grows.

Data sources

pipeline · record nga:43753 · fetched 12 d ago
Image: ART MAP data pipeline — Museum open access (data contract v1)

More by Andrea Briosco, called Riccio

Striding Pan, Andrea Briosco, called Riccio, 1530–1539

Striding Pan

1530–1539 · The Metropolitan Museum of Art

The Entombment, Andrea Briosco, called Riccio

The Entombment

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Combat at a City Gate, Andrea Briosco, called Riccio

Combat at a City Gate

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An Allegorical Scene (Fame Crowning Eros), Andrea Briosco, called Riccio

An Allegorical Scene (Fame Crowning Eros)

Not on view · National Gallery of Art

A Goat, Andrea Briosco, called Riccio

A Goat

Not on view · National Gallery of Art

An Allegorical Scene, Andrea Briosco, called Riccio

An Allegorical Scene

Not on view · National Gallery of Art

Meleager Presenting the Boar's Head to Atalanta, Andrea Briosco, called Riccio

Meleager Presenting the Boar's Head to Atalanta

Not on view · National Gallery of Art

Saint George and the Dragon, Andrea Briosco, called Riccio

Saint George and the Dragon

Not on view · National Gallery of Art

Also on view at National Gallery of Art

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The Triumph of Silenus

Hercules and Antaeus, Moderno, late 15th - early 16th century

Moderno

Hercules and Antaeus, late 15th - early 16th century

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Master IO.F.F.

Sword Pommel with inset plaquette of The Judgment of Paris [detachable obverse of pommel], second half 15th century

Shallow Oval Dish with the Sacrifice of Isaac, Follower of Bernard Palissy, 17th century

Follower of Bernard Palissy

Shallow Oval Dish with the Sacrifice of Isaac, 17th century

Walking Ostrich, French or German 19th Century, model 19th century

French or German 19th Century

Walking Ostrich, model 19th century

Horse Galloping on the Right Foot, Edgar Degas, late 1880s

Edgar Degas

Horse Galloping on the Right Foot, late 1880s

Mars and Venus, Master of the Orpheus Legend, fourth quarter 15th century

Master of the Orpheus Legend

Mars and Venus, fourth quarter 15th century

Bound Satyr — Andrea Briosco, called Riccio · ART MAP