Subway

1934 · Print

Må man se det?

Tager ikke imod for tiden

National Gallery of Art

Washington, D.C., USA

Det hører til samlingen, men er ikke udstillet for tiden.

Kontrolleret: for 5 timer siden
Uændret siden: 19. aug. 2026
Kilde: Museets egne samlingsdata

På kortet Museets side

Oplysninger

Inventarnummer: 2008.115.1601

Kilder

National Gallery of Art: the museum's own open data · hentet for 4 dage siden
Billede: National Gallery of Art — © the artist or rights holder

Alle værker

Lumber Yard

c. 1935-1943 · Ikke udstillet · National Gallery of Art

Dmitri on the Road (Book VIII: Mitya, facing p.316)

1949 · Ikke udstillet · National Gallery of Art

He Sat Rigid in His Place (Book XII: A Judicial Error, facing p.528)

1949 · Ikke udstillet · National Gallery of Art

Women of Great Faith (Book II: An Unfortunate Gathering, facing p.38)

1949 · Ikke udstillet · National Gallery of Art

"Drink to the Gates of Paradise" (Book VII: Alyosha, facing p.272)

1949 · Ikke udstillet · National Gallery of Art

Quite Dead, with His Head Broken (Book IX: Preliminary Investigation, facing p.352)

1949 · Ikke udstillet · National Gallery of Art

The Scream of the Epileptic (Book VI: The Russian Monk, facing p.214)

1949 · Ikke udstillet · National Gallery of Art

"Satan, Go Hence!" (Book VII: Alyosha, facing p.256)

1949 · Ikke udstillet · National Gallery of Art

Naboer på National Gallery of Art

Museets side

Gianfrancesco Enzola

Madonna and Child between Saint Michael and Saint Lawrence

Edgar Degas

Horse Trotting, the Feet Not Touching the Ground, 1870s

Giovanni Bernardi

Pan and Syrinx, mid 16th century

Andrea Vanni

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Ulocrino

Saint Romedius, early 16th century

Honoré Daumier

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Attributed to Caradosso Foppa

Marine Scene

Giovanni Bernardi

Subway

Tager ikke imod for tiden

Oplysninger

Kilder

Mere af Fritz Eichenberg

Lumber Yard

Dmitri on the Road (Book VIII: Mitya, facing p.316)

He Sat Rigid in His Place (Book XII: A Judicial Error, facing p.528)

Women of Great Faith (Book II: An Unfortunate Gathering, facing p.38)

"Drink to the Gates of Paradise" (Book VII: Alyosha, facing p.272)

Quite Dead, with His Head Broken (Book IX: Preliminary Investigation, facing p.352)

The Scream of the Epileptic (Book VI: The Russian Monk, facing p.214)

"Satan, Go Hence!" (Book VII: Alyosha, facing p.256)

Naboer på National Gallery of Art

Madonna and Child between Saint Michael and Saint Lawrence

Horse Trotting, the Feet Not Touching the Ground, 1870s

Pan and Syrinx, mid 16th century

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Saint Romedius, early 16th century

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Marine Scene

The Continence of Scipio

Subway

Tager ikke imod for tiden

Oplysninger

Kilder

Mere af Fritz Eichenberg

Lumber Yard

Dmitri on the Road (Book VIII: Mitya, facing p.316)

He Sat Rigid in His Place (Book XII: A Judicial Error, facing p.528)

Women of Great Faith (Book II: An Unfortunate Gathering, facing p.38)

"Drink to the Gates of Paradise" (Book VII: Alyosha, facing p.272)

Quite Dead, with His Head Broken (Book IX: Preliminary Investigation, facing p.352)

The Scream of the Epileptic (Book VI: The Russian Monk, facing p.214)

"Satan, Go Hence!" (Book VII: Alyosha, facing p.256)

Naboer på National Gallery of Art

Madonna and Child between Saint Michael and Saint Lawrence

Horse Trotting, the Feet Not Touching the Ground, 1870s

Pan and Syrinx, mid 16th century

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Saint Romedius, early 16th century

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Marine Scene

The Continence of Scipio