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Collections: Art Institute of Chicago, Harvard Art Museums, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), and Wikidata (6 museums). Images belong to their rights holders.

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National Gallery of Art
A Standing Nude

A Standing Nude, Max Klinger, 1891

Max Klinger, portrait

Max KlingerGerman, 1857–1920

A Standing Nude

1891 · Print

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked: 3 days ago
In this state since: Aug 19, 2026
Source: The museum's own collection data

On the map Museum page

Particulars

1891 · aged 34

18571920

Accession number: 2012.92.318

What it shows

Woman Female nude

In the catalog

Sources

National Gallery of Art: the museum's own open data · fetched 3 days ago
Image: National Gallery of Art — Museum open access

More by Max Klinger

Evocation (Evocation), Max Klinger

Evocation (Evocation)

Not on view · National Gallery of Art

Ex libris van Max Klinger, Max Klinger, 1867 - 1920

Ex libris van Max Klinger

1867 - 1920 · Rijksmuseum

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto), Max Klinger

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto)

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 2, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 2

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 23, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 23

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 4, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 4

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 21, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 21

Kupferstich-Kabinett Dresden

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5, Max Klinger

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5

Kupferstich-Kabinett Dresden

Neighbors at National Gallery of Art

Madonna and Child between Saint Michael and Saint Lawrence, Gianfrancesco Enzola

Gianfrancesco Enzola

Madonna and Child between Saint Michael and Saint Lawrence

Horse Trotting, the Feet Not Touching the Ground, Edgar Degas, 1870s

Edgar Degas

Horse Trotting, the Feet Not Touching the Ground, 1870s

Pan and Syrinx, Giovanni Bernardi, mid 16th century

Giovanni Bernardi

Pan and Syrinx, mid 16th century

Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s

Andrea Vanni

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Saint Romedius, Ulocrino, early 16th century

Ulocrino

Saint Romedius, early 16th century

Jean-Marie Fruchard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Honoré Daumier

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Marine Scene, Caradosso Foppa

Attributed to Caradosso Foppa

Marine Scene

The Continence of Scipio, Giovanni Bernardi

Giovanni Bernardi

The Continence of Scipio

A Standing Nude — Max Klinger · ART WIKI