
Kara WalkerAmerican, 1969May one see it?
Minneapolis, United States
It belongs to the collection, but is not on display at present.
Kara Walker began working in the 1990s in an obsolete artistic medium, the cut-paper silhouette, which she radically transformed into a potent language to explore issues in American history and society, mainly related to slavery, violence, and sexual exploitation. In African/American, made as a printed silhouette, Walker depicted the solitary semi-nude figure of a female African American slave tumbling down through midair. The image is at once elegant and disturbing: elegant in form and compositional harmony yet disturbing in its dark and foreboding content.
Minneapolis Institute of Art