Distinguished Crow Indians

1861/1869 · Painting

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked: 3 days ago
In this state since: Aug 19, 2026
Source: The museum's own collection data

On the map Museum page

Particulars

Accession number: 1965.16.20

What it shows

North American Indian Crow Chah-ee-chopes (The Four Wolves), chief Duhk-gits-o-oh-see (The Red Bear), warrior Ho-ra-to-a, warrior Oo-je-en-ah-a (The woman who Lives in Bear's Den)Pa-ris-ka-roo-pa (The Two Crows), head chief Pa-ris-ka-roo-pa (The Younger), counsellor

In the catalog

American

Sources

National Gallery of Art: the museum's own open data · fetched 3 days ago
Image: National Gallery of Art — Museum open access

All works

Distant View of the Mandan Village

1832 · Smithsonian American Art Museum

Mouth of the Platte River, 900 Miles above St. Louis

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Seet-sé-be-a, Midday Sun, a Pretty Girl

1832 · Smithsonian American Art Museum

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

1832 · Smithsonian American Art Museum

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee

1832 · Smithsonian American Art Museum

River Bluffs, 1320 Miles above St. Louis

1832 · Smithsonian American Art Museum

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief

1832 · Smithsonian American Art Museum

I-o-wáy, One of Black Hawk's Principal Warriors

1832 · Smithsonian American Art Museum

Neighbors at National Gallery of Art

Museum page

Gianfrancesco Enzola

Madonna and Child between Saint Michael and Saint Lawrence

Edgar Degas

Horse Trotting, the Feet Not Touching the Ground, 1870s

Giovanni Bernardi

Pan and Syrinx, mid 16th century

Andrea Vanni

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Ulocrino

Saint Romedius, early 16th century

Honoré Daumier

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Attributed to Caradosso Foppa

Marine Scene

Giovanni Bernardi

Distinguished Crow Indians

Not receiving at present

Particulars

What it shows

In the catalog

Sources

More by George Catlin

Distant View of the Mandan Village

Mouth of the Platte River, 900 Miles above St. Louis

Seet-sé-be-a, Midday Sun, a Pretty Girl

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee

River Bluffs, 1320 Miles above St. Louis

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief

I-o-wáy, One of Black Hawk's Principal Warriors

Neighbors at National Gallery of Art

Madonna and Child between Saint Michael and Saint Lawrence

Horse Trotting, the Feet Not Touching the Ground, 1870s

Pan and Syrinx, mid 16th century

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Saint Romedius, early 16th century

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Marine Scene

The Continence of Scipio

Distinguished Crow Indians

Not receiving at present

Particulars

What it shows

In the catalog

Sources

More by George Catlin

Distant View of the Mandan Village

Mouth of the Platte River, 900 Miles above St. Louis

Seet-sé-be-a, Midday Sun, a Pretty Girl

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee

River Bluffs, 1320 Miles above St. Louis

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief

I-o-wáy, One of Black Hawk's Principal Warriors

Neighbors at National Gallery of Art

Madonna and Child between Saint Michael and Saint Lawrence

Horse Trotting, the Feet Not Touching the Ground, 1870s

Pan and Syrinx, mid 16th century

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Saint Romedius, early 16th century

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Marine Scene

The Continence of Scipio