Head in Profile

1923 · Print

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked: 3 days ago
In this state since: Aug 19, 2026
Source: The museum's own collection data

On the map Museum page

Particulars

Accession number: 2012.92.245

What it shows

Figure Woman Portrait Face

In the catalog

Expressionism Magic realism

Sources

National Gallery of Art: the museum's own open data · fetched 3 days ago
Image: National Gallery of Art — Museum open access

All works

The Burial (Begräbnis)

1916 · Not on view · National Gallery of Art

The Burial (Begrabnis)

1916 · Not on view · National Gallery of Art

Barracks (Kaserne)

1916 · Not on view · National Gallery of Art

Barracks (Kaserne) (plate, loose leaf) from the periodical Das Kunstblatt, vol. 1, no. 9 (Sep 1917)

1917 (executed 1916) · Not on view · The Museum of Modern Art

Das leere Café (The Empty Café)

1917 · Not on view · National Gallery of Art

Scene in the Cafe with the Cripple

1918 · Not on view · National Gallery of Art

Das leere Café (The Empty Café)

1918 · Not on view · National Gallery of Art

The Great Anxiety (Self-Portrait in Three-Quarter Profile to the Right) (Die große Angst [Selbstportrat, Kopf im Halbprofil nach rechts])

1918 · Not on view · National Gallery of Art

Neighbors at National Gallery of Art

Museum page

Gianfrancesco Enzola

Madonna and Child between Saint Michael and Saint Lawrence

Edgar Degas

Horse Trotting, the Feet Not Touching the Ground, 1870s

Giovanni Bernardi

Pan and Syrinx, mid 16th century

Andrea Vanni

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Ulocrino

Saint Romedius, early 16th century

Honoré Daumier

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Attributed to Caradosso Foppa

Marine Scene

Giovanni Bernardi

Head in Profile

Not receiving at present

Particulars

What it shows

In the catalog

Sources

More by Walter Gramatté

The Burial (Begräbnis)

The Burial (Begrabnis)

Barracks (Kaserne)

Barracks (Kaserne) (plate, loose leaf) from the periodical Das Kunstblatt, vol. 1, no. 9 (Sep 1917)

Das leere Café (The Empty Café)

Scene in the Cafe with the Cripple

Das leere Café (The Empty Café)

The Great Anxiety (Self-Portrait in Three-Quarter Profile to the Right) (Die große Angst [Selbstportrat, Kopf im Halbprofil nach rechts])

Neighbors at National Gallery of Art

Madonna and Child between Saint Michael and Saint Lawrence

Horse Trotting, the Feet Not Touching the Ground, 1870s

Pan and Syrinx, mid 16th century

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Saint Romedius, early 16th century

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Marine Scene

The Continence of Scipio

Head in Profile

Not receiving at present

Particulars

What it shows

In the catalog

Sources

More by Walter Gramatté

The Burial (Begräbnis)

The Burial (Begrabnis)

Barracks (Kaserne)

Barracks (Kaserne) (plate, loose leaf) from the periodical Das Kunstblatt, vol. 1, no. 9 (Sep 1917)

Das leere Café (The Empty Café)

Scene in the Cafe with the Cripple

Das leere Café (The Empty Café)

The Great Anxiety (Self-Portrait in Three-Quarter Profile to the Right) (Die große Angst [Selbstportrat, Kopf im Halbprofil nach rechts])

Neighbors at National Gallery of Art

Madonna and Child between Saint Michael and Saint Lawrence

Horse Trotting, the Feet Not Touching the Ground, 1870s

Pan and Syrinx, mid 16th century

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Saint Romedius, early 16th century

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Marine Scene

The Continence of Scipio