Edgar DegasFrench, 1834–1917Hortense Valpinçon
May one see it?
Not receiving at present
National Gallery of Art
Washington, D.C., United States
It belongs to the collection, but is not on display at present.
- Checked
- 3 days ago
- In this state since
- Aug 19, 2026
- Source
- The museum's own collection data
Particulars
- Accession number
- 1995.47.34
What it shows
In the catalog
Sources
- National Gallery of Art: the museum's own open data · fetched 3 days ago
- Image: National Gallery of Art — Museum open access
Meanwhile, in the life of Edgar Degas
The whole life1881
“The Little Dancer of Fourteen Years” on show
The nearly life-size wax figure with real hair and a cloth tutu, modelled on Marie van Goethem, provoked a strong reaction: critics found its realism extraordinary, but many denounced the dancer as ugly. It was the only sculpture Degas showed in his lifetime.
1881
The pastels “Criminal Physiognomies”
Degas attended the trial of the young gang members convicted of murder in the Abadie affair, sketchbook in hand, and in 1881 exhibited two pastels, “Criminal Physiognomies”. The drawings reveal his interest in features that some nineteenth-century scientists took as evidence of innate criminality.
by 1882
His eyesight sharply worsens
By 1882 Degas's eyesight began to worsen sharply: he turned to pastel and then to sculpture, where he could rely more on touch.
![Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s](https://api.nga.gov/iiif/4205a539-eadd-4486-89a7-3cff9c1ba428/full/!2400,2400/0/default.jpg)
