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ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Harvard Art Museums, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), and Wikidata (6 museums). Images belong to their rights holders.

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Collection
Minneapolis Institute of Art
Ishibe

Ishibe, Utagawa Kunisada, 1855, 8th month

Utagawa Kunisada, portrait

Utagawa KunisadaJapanese, 1786–1865

Ishibe

1855, 8th month · Print

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked: 3 days ago
In this state since: Sep 25, 2026
Source: The museum's own collection data

On the map Museum page

Particulars

1855, 8th month · aged 69

17861865

Accession number: P.75.51.305

In the catalog

Sources

Minneapolis Institute of Art: the museum's own open data · fetched 3 days ago
Image: Minneapolis Institute of Art — public domain

More by Utagawa Kunisada

Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu), Utagawa Kunisada, ca. 1844

Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu)

ca. 1844 · The Metropolitan Museum of Art

The Actor Nakamura Fukusuke I as Asahina Tōbei, likened to Lu Zhishen the Tattooed Priest (Kaoshō Rochishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden), Utagawa Kunisada 歌川国貞, 1854, 7th month)

The Actor Nakamura Fukusuke I as Asahina Tōbei, likened to Lu Zhishen the Tattooed Priest (Kaoshō Rochishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)

1854, 7th month) · The Metropolitan Museum of Art

Kabuki Actor with a Fan, Utagawa Kunisada, 1820s -1840s

Kabuki Actor with a Fan

1820s -1840s · Not on view · National Gallery of Art

Presentatie van boeken en handrollen, Utagawa Kunisada, 1796 - 1865

Presentatie van boeken en handrollen

1796 - 1865 · Rijksmuseum

Waaierblad met vliegende Koekoek, Utagawa Kunisada, 1796 - 1864

Waaierblad met vliegende Koekoek

1796 - 1864 · Rijksmuseum

Vrouwen maken prenten (rechterdeel), Utagawa Kunisada, 1796 - 1865

Vrouwen maken prenten (rechterdeel)

1796 - 1865 · Rijksmuseum

Vrouwen maken prenten (linkerdeel), Utagawa Kunisada, 1796 - 1865

Vrouwen maken prenten (linkerdeel)

1796 - 1865 · Rijksmuseum

Catching Fire-Flies, Utagawa Kunisada, 18th century

Catching Fire-Flies

18th century · Not on view · State Hermitage Museum

Neighbors at Minneapolis Institute of Art

Chalchiuhtlicue, c. 1200–1521

Chalchiuhtlicue, c. 1200–1521

Centaur, Saitō Bishū, 1970s–80s

Saitō Bishū

Centaur, 1970s–80s

Book of Hours Horae Beatae Mariae Virginis ad Usum Romanum, early 16th century

Book of Hours Horae Beatae Mariae Virginis ad Usum Romanum, early 16th century

Vajra Warrior (one of a pair), mid 14th century

Vajra Warrior (one of a pair), mid 14th century

Head of Augustus, Doccia Porcelain Manufactory, Sesto Fiorentino, Italy, 18th century

Doccia Porcelain Manufactory, Sesto Fiorentino, Italy

Head of Augustus, 18th century

Daruma (Bodhidharma), In the style of Fūgai Ekun, 18th–19th century

In the style of Fūgai Ekun

Daruma (Bodhidharma), 18th–19th century

Pleasure Boat, 18th century

Pleasure Boat, 18th century

Uma-Maheshvara, 10th–11th century

Uma-Maheshvara, 10th–11th century

Ishibe — Utagawa Kunisada · ART WIKI