Cornelis CortDutch, 1533–1578Kruisafneming
May one see it?
Unknown: the museum keeps its counsel
Rijksmuseum
Amsterdam, Netherlands
The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.
- Source
- The museum's own collection data
Particulars
- Accession number
- RP-P-1892-A-16748
What it shows
Sources
- Rijksmuseum: the museum's own open data · fetched 3 days ago
- Image: Rijksmuseum — public domain
Meanwhile, in the life of Cornelis Cort
The whole life1560–1565 · Workplace
Northern Low Countries
1565–1566
Move to Venice, Living in Titian's House
In 1565–1566 Cort lived in Venice in the house of Titian, who immediately recognized his abilities and gave him his finest paintings to reproduce.
1565–1566
Engravings after Paintings by Titian
In Titian's house he created his famous copper engravings: Saint Jerome in the Wilderness, The Penitent Magdalene, Prometheus, Diana and Actaeon, Diana and Callisto, and others. Titian himself made the preparatory drawings for them and valued these prints highly.
1565–1566 · Workplace
Venice
1566–1569 · Workplace
Rome
after 1567
Return to Italy: Venice, Bologna, Rome
Having returned from Italy to the Netherlands, Cort left again for Venice shortly after 1567, and from there traveled to Bologna and Rome, where he engraved after the paintings of the great masters of the time.
