
Kitagawa UtamaroJapanese, 1754–1806May one see it?
Cleveland, United States
It belongs to the collection, but is not on display at present.
1753/1754
Born
1775
Meeting the publisher Tsutaya Jūzaburō
According to Russian Wikipedia, in 1775 Utamaro meets the publisher Tsutaya Jūzaburō, who had an enormous influence on his work: many of his finest albums, illustrated books and series of single-sheet prints came out of their long collaboration. The English article dates his first known work for Tsutaya only to 1783.
c. 1791
Giving up book prints for half-length portraits of beauties
Around 1791 Utamaro gives up designing prints for books and concentrates on single portraits of women shown half-length, rather than the group scenes favoured by other ukiyo-e artists. Russian Wikipedia adds that he was the first in Japanese woodblock printing to use half-length compositions for women's portraits; none of his work from 1790–1792 has survived.
1797
The death of his friend and patron Tsutaya Jūzaburō
In 1797 Utamaro's long-time friend and supporter, the publisher Tsutaya Jūzaburō, dies; the artist is apparently very upset by the loss, and some commentators feel that his work never reached its former heights afterwards. He later lives in Kyūemon-chō, then Bakuro-chō, and finally near the Benkei Bridge.
1804
Arrest and fifty days in manacles
In 1804 Utamaro is imprisoned over prints of the sixteenth-century ruler Toyotomi Hideyoshi, depicted, in the authorities' view, “in an improper form”, and then manacled for fifty days, together with Tsukimaro, Toyokuni, Shuntei, Shun'ei and Jippensha Ikku; their publishers are heavily fined. It is probably the most famous case of censorship of the Edo period, and Utamaro appears to have been the most prominent of those punished.
31 October 1806
Died