Odilon RedonFrench, 1840–1916Pandora
May one see it?
Not receiving at present
National Gallery of Art
Washington, D.C., United States
It belongs to the collection, but is not on display at present.
- Checked
- 3 days ago
- In this state since
- Aug 19, 2026
- Source
- The museum's own collection data
Particulars
- Accession number
- 1963.10.56
What it shows
In the catalog
Sources
- National Gallery of Art: the museum's own open data · fetched 3 days ago
- Image: National Gallery of Art — Museum open access
Meanwhile, in the life of Odilon Redon
The whole life1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
last decade of life
A calm view of the end of life
In the last decade of his life Redon wrote that he was content with his life and was calmly going to meet his fate.
1913
The largest single display at the New York show
At the groundbreaking International Exhibition of Modern Art (the Armory Show), in New York, Chicago and Boston, Redon was given the largest single representation.
1913
Mellerio’s catalogue of his etchings and lithographs
In 1913 André Mellerio published a catalogue of Redon’s etchings and lithographs, which added to his popularity.
![Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s](https://api.nga.gov/iiif/4205a539-eadd-4486-89a7-3cff9c1ba428/full/!2400,2400/0/default.jpg)
