José Clemente OrozcoMexican, 1883–1949Requiem
May one see it?
Not receiving at present
Art Institute of Chicago
Chicago, United States
It belongs to the collection, but is not on display at present.
- Checked
- 3 days ago
- In this state since
- Aug 19, 2026
- Source
- The museum's own collection data
Particulars
- Accession number
- 1943.515
In the catalog
Sources
- Art Institute of Chicago: the museum's own open data · fetched 3 days ago
- Image: Art Institute of Chicago — © the artist or rights holder
Meanwhile, in the life of José Clemente Orozco
The whole life1926
Back at the school: repainting what was destroyed
His early panels caused serious political conflict and made Orozco stop work, as Siqueiros did; in 1926, under a new wave of social change, he returns to the school and finishes what he had begun. Some of the murals had been destroyed by Orozco himself and others vandalised by conservative students, so he had to repaint many of them.
1927–1934
The United States: “artist in residence” at colleges
In 1927–1934 Orozco again lives in the United States, working at colleges as an “artist in residence”: the master lives on the school’s campus while painting a mural and involves students in his work.
1930
Edward Weston photographs Orozco
In 1930 Edward Weston makes a portrait of Orozco, which was the artist’s own favourite; Weston considered it one of his finest portraits.
