William BlakeBritish, 1757–1827Two Legs
May one see it?
Not receiving at present
National Gallery of Art
Washington, D.C., United States
It belongs to the collection, but is not on display at present.
- Checked
- 14 minutes ago
- In this state since
- Aug 19, 2026
- Source
- The museum's own collection data
Particulars
- Accession number
- 1943.3.9008
What it shows
In the catalog
Sources
- National Gallery of Art: the museum's own open data · fetched 3 days ago
- Image: National Gallery of Art — Museum open access
Meanwhile, in the life of William Blake
The whole lifeSeptember 1800 – September 1803 · Workplace
Felpham
August 1803
A fight with the soldier Schofield and a trial at Chichester
In August 1803 Blake was involved in a physical altercation with a soldier, John Schofield, and was charged not only with assault but with uttering seditious and treasonable expressions against the King; Schofield claimed that Blake had exclaimed “Damn the king. The soldiers are all slaves.” Blake was cleared at the Chichester assizes.
September 1803 – October 1803 · Residence
Broadwick Street
October 1803 – 1820 · Residence
South Molton Street
1804
Returns to London and begins “Jerusalem”
In 1804 Blake returned to London and began to write and illustrate “Jerusalem: The Emanation of the Giant Albion” (1804–20), his most ambitious work.
1809
An exhibition in his brother's shop: nothing sold
Blake set up an independent exhibition in his brother's haberdashery shop at 27 Broad Street in Soho to market his version of “The Canterbury Pilgrims” along with other works. It was very poorly attended, sold none of the temperas or watercolours, and its only review, in The Examiner, was hostile.
![Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s](https://api.nga.gov/iiif/4205a539-eadd-4486-89a7-3cff9c1ba428/full/!2400,2400/0/default.jpg)
