Edvard MunchNorwegian, 1863–1944Women Bathing
May one see it?
Not receiving at present
Art Institute of Chicago
Chicago, United States
It belongs to the collection, but is not on display at present.
- Checked
- 3 days ago
- In this state since
- Aug 19, 2026
- Source
- The museum's own collection data
Particulars
- Accession number
- 1963.278
In the catalog
Sources
- Art Institute of Chicago: the museum's own open data · fetched 3 days ago
- Image: Art Institute of Chicago — CC0
Meanwhile, in the life of Edvard Munch
The whole lifeDecember 1893
The "Love" Exhibition: Beginning of "The Frieze of Life"
At an exhibition on Unter den Linden he showed, among other works, six paintings under the title "Studies for a Series: Love" — the beginning of the cycle later named "The Frieze of Life — a Poem about Life, Love and Death."
1894
Turn to Copper Engraving
He began engraving on copper on his own, without formal training, working in etching, drypoint, and aquatint, and created many masterpieces in the medium.
1896
Meetings with Gauguin and the Symbolists in Paris
During an important stay in Paris he met Gauguin, Émile Bernard, Maurice Denis, and Symbolist poets, notably Mallarmé. At this time he turned to etching, woodcut, and lithography.
May 1896
Exhibition at the Maison de l'Art Nouveau
Siegfried Bing showed 60 of Munch's works, including "The Kiss," "The Scream," "Madonna," and "The Sick Child." The exhibition introduced the French public to the artist's work.
