Spiral

1934 · Print

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Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado: hace 4 horas
En este estado desde: 19 ago 2026
Fuente: Los datos de colección del propio museo

En el mapa Página del museo

Ficha

Número de inventario: 1947.12.38

What it shows

Hand

En el catálogo

French

Fuentes

Galería Nacional de Arte: the museum's own open data · obtenido hace 4 días
Imagen: Galería Nacional de Arte — © the artist or rights holder

Todas las obras

Composition

1935 · No expuesta · MoMA

Untitled (Plate 5) from La femme tondue (The Shaven-Headed Woman)

1946 · No expuesta · MoMA

Untitled (Plate 4) from La femme tondue (The Shaven-Headed Woman)

1946 · No expuesta · MoMA

Untitled (Plate 6) from La femme tondue (The Shaven-Headed Woman)

1946 · No expuesta · MoMA

Untitled (Plate 2) from La femme tondue (The Shaven-Headed Woman)

1946 · No expuesta · MoMA

Untitled (Plate 1) from La femme tondue (The Shaven-Headed Woman)

1946 · No expuesta · MoMA

Untitled (Plate 8) from La femme tondue (The Shaven-Headed Woman)

1946 · No expuesta · MoMA

Untitled (Plate 7) from La femme tondue (The Shaven-Headed Woman)

1946 · No expuesta · MoMA

Bajo el mismo techo: Galería Nacional de Arte

Página del museo

Gianfrancesco Enzola

Madonna and Child between Saint Michael and Saint Lawrence

Edgar Degas

Horse Trotting, the Feet Not Touching the Ground, 1870s

Giovanni Bernardi

Pan and Syrinx, mid 16th century

Andrea Vanni

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Ulocrino

Saint Romedius, early 16th century

Honoré Daumier

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Attributed to Caradosso Foppa

Marine Scene

Giovanni Bernardi

Spiral

Por ahora no recibe

Ficha

What it shows

En el catálogo

Fuentes

Más obras de Anton Prinner

Composition

Untitled (Plate 5) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 4) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 6) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 2) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 1) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 8) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 7) from La femme tondue (The Shaven-Headed Woman)

Bajo el mismo techo: Galería Nacional de Arte

Madonna and Child between Saint Michael and Saint Lawrence

Horse Trotting, the Feet Not Touching the Ground, 1870s

Pan and Syrinx, mid 16th century

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Saint Romedius, early 16th century

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Marine Scene

The Continence of Scipio

Spiral

Por ahora no recibe

Ficha

What it shows

En el catálogo

Fuentes

Más obras de Anton Prinner

Composition

Untitled (Plate 5) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 4) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 6) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 2) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 1) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 8) from La femme tondue (The Shaven-Headed Woman)

Untitled (Plate 7) from La femme tondue (The Shaven-Headed Woman)

Bajo el mismo techo: Galería Nacional de Arte

Madonna and Child between Saint Michael and Saint Lawrence

Horse Trotting, the Feet Not Touching the Ground, 1870s

Pan and Syrinx, mid 16th century

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Saint Romedius, early 16th century

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Marine Scene

The Continence of Scipio