ART WIKI 31 888 en salle

Carte Collection Artistes Musées Expositions Journal

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées) et Wikidata (6 musées). Les images appartiennent à leurs ayants droit.

Rubriques

Carte
Recherche
Collection
Exposées en ce moment
Artistes

Et aussi

Musées et galeries
Expositions
Journal
D’où viennent les données
Confidentialité et cookies

Accueil Carte Catalogue

Collection
Minneapolis Institute of Art
#6

#6, Cy Thao, 1993–2001

CCy ThaoÉtats-Unis

#6

1993–2001 · Painting · 76.2 × 91.44 cm

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Minneapolis Institute of Art

Minneapolis, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié: il y a 5 heures
Dans cet état depuis: 25 sept. 2026
Source: Les données de collection du musée lui-même

Sur la carte Page du musée

About the painting

Artist commentary: After defeating the Hmong armies, the Chinese divided the Hmong into groups, assigning them different colors to wear. They hoped that this would ensure that they would never unite again. They believed that it would be easier to defeat the Hmong if they were divided. The Chinese also divided the Hmong into clans to further create division.

Minneapolis Institute of Art

Notice

Numéro d’inventaire: 2010.55.6

Au catalogue

Sources

Minneapolis Institute of Art: the museum's own open data · obtenue il y a 4 jours
Image : Minneapolis Institute of Art — © Cy Thao

Autres œuvres : Cy Thao

Toutes les œuvres

#40, Cy Thao, 1993–2001

#40

1993–2001 · Non exposée · Minneapolis Institute of Art

#18, Cy Thao, 1993–2001

#18

1993–2001 · Non exposée · Minneapolis Institute of Art

#25, Cy Thao, 1993–2001

#25

1993–2001 · Non exposée · Minneapolis Institute of Art

#28, Cy Thao, 1993–2001

#28

1993–2001 · Non exposée · Minneapolis Institute of Art

#17, Cy Thao, 1993–2001

#17

1993–2001 · Non exposée · Minneapolis Institute of Art

#35, Cy Thao, 1993–2001

#35

1993–2001 · Non exposée · Minneapolis Institute of Art

#23, Cy Thao, 1993–2001

#23

1993–2001 · Non exposée · Minneapolis Institute of Art

#24, Cy Thao, 1993–2001

#24

1993–2001 · Non exposée · Minneapolis Institute of Art

Sous le même toit : Minneapolis Institute of Art

Chalchiuhtlicue, c. 1200–1521

Chalchiuhtlicue, c. 1200–1521

Centaur, Saitō Bishū, 1970s–80s

Saitō Bishū

Centaur, 1970s–80s

Book of Hours Horae Beatae Mariae Virginis ad Usum Romanum, early 16th century

Book of Hours Horae Beatae Mariae Virginis ad Usum Romanum, early 16th century

Vajra Warrior (one of a pair), mid 14th century

Vajra Warrior (one of a pair), mid 14th century

Head of Augustus, Doccia Porcelain Manufactory, Sesto Fiorentino, Italy, 18th century

Doccia Porcelain Manufactory, Sesto Fiorentino, Italy

Head of Augustus, 18th century

Daruma (Bodhidharma), In the style of Fūgai Ekun, 18th–19th century

In the style of Fūgai Ekun

Daruma (Bodhidharma), 18th–19th century

Pleasure Boat, 18th century

Pleasure Boat, 18th century

Uma-Maheshvara, 10th–11th century

Uma-Maheshvara, 10th–11th century

#6 — Cy Thao · ART WIKI