Odilon RedonFrance, 1840–1916Des Esseintes
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Art Institute of Chicago
Chicago, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- il y a 3 jours
- Dans cet état depuis
- 19 août 2026
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- 1999.266
Au catalogue
Sources
- Art Institute of Chicago: the museum's own open data · obtenue il y a 3 jours
- Image : Art Institute of Chicago — CC0
Pendant ce temps, chez Odilon Redon
La vie entière1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
1880s
Death of his firstborn son Jean
Redon and Camille’s firstborn son, Jean, died at six months old. The artist was so downcast that for a time he could not work; the birth of a second son in 1889 helped him recover from his grief.
1886
The eighth Impressionist exhibition
Redon took part in the eighth and last Impressionist exhibition.
1886
Exhibitions of Les XX in Brussels
In the same year, 1886, Redon began to take part in the exhibitions of Les XX in Brussels.
30 avril 1889
Son born: Arï Redon
from 1890
The turn from “noirs” to colour
From 1890 Redon turned more and more to oil and pastel and gave up his “black” works; after 1900 he made no more noirs. He explained the change by saying he had realised that the unwinding ribbon of life brings not only sorrow but joy.
