Maurits Cornelis EscherPays-Bas, 1898–1972Initial S
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
National Gallery of Art
Washington, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- il y a 3 jours
- Dans cet état depuis
- 19 août 2026
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- 1983.109.71
What it shows
Au catalogue
Sources
- National Gallery of Art: the museum's own open data · obtenue il y a 3 jours
- Image : National Gallery of Art — © the artist or rights holder
Pendant ce temps, chez Maurits Cornelis Escher
La vie entièreNovember 1923 – 1935
Rome and yearly journeys through Italy
From November 1923 Escher lived in Rome and until 1935 travelled each year for at least two months through Italy — Sicily, Abruzzo, Campania, and also Corsica, Malta and Tunisia; these journeys produced many landscapes whose perspective already hints at his later geometric experiments. He could not support his family on the sale of his work and lived on his father’s help.
1924–1935 · Lieu de travail
Rome
1930–1933
Illness, the book “Emblemata” and a Rijksmuseum purchase
In late 1930 and in 1931 Escher’s health worsened and his work slowed; G. J. Hoogewerf, director of the Dutch historical institute in Rome, suggested he write to magazines about some of his works and publish a book — the selected works appeared in 1932 as “Emblemata”. In 1933 the print room of the Rijksmuseum in Amsterdam acquired twenty-six of his works.
![Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s](https://api.nga.gov/iiif/4205a539-eadd-4486-89a7-3cff9c1ba428/full/!2400,2400/0/default.jpg)
