Donovan DurhamÉtats-Unis
Ray Charles
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Minneapolis Institute of Art
Minneapolis, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- il y a 3 jours
- Dans cet état depuis
- 25 sept. 2026
- Source
- Les données de collection du musée lui-même
À propos de l’œuvre
Donovan Durham (1961–2016), a self-taught painter and draftsman, considered art making an essential mode of communication from an early age. Living successfully with disabilities, the artist spent most of his life in Pennsylvania before moving to Minnesota in the late 1990s. After settling in St. Paul, he joined Interact Center for the Visual and Performing Arts, an organization dedicated to supporting artists with disabilities. Thanks to a grant from the Minnesota State Arts Board in 2005, he was invited to make a series of lithographs and color monotypes at Highpoint Center for Printmaking. A fan of the classic Motown sound, Durham created a series of highly expressive black-and-white portraits of some of his favorite R&B performers from the 1960s, ’70s, and ’80s, including Anita Baker, Stevie Wonder, and the Temptations.
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In the backgrounds of his works, Durham introduced objects and other visual references he found personally significant, including depictions of his own framed drawings. Commenting on his creative capabilities, Durham modestly observed, “I am a good storyteller, and I work hard.”
Minneapolis Institute of Art
Notice
- Numéro d’inventaire
- 2020.85.39.5
Au catalogue
Sources
- Minneapolis Institute of Art: the museum's own open data · obtenue il y a 3 jours
- Image : Minneapolis Institute of Art — Copyright © Estate of Donovan Durham
