David HockneyRoyaume-Uni, 1937–2026Ronn
Peut-on la contempler ?
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Art Institute of Chicago
Chicago, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- il y a 30 minutes
- Dans cet état depuis
- 19 août 2026
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- 1975.145
Au catalogue
Sources
- Art Institute of Chicago: the museum's own open data · obtenue il y a 3 jours
- Image : Art Institute of Chicago — © the artist or rights holder
Pendant ce temps, chez David Hockney
La vie entière1963–1964
Moving to Los Angeles
Hockney moves from Britain to Los Angeles: English Wikipedia gives 1964, Russian Wikipedia 1963 and explains the departure by a more liberal political climate. There he is inspired to paint a series of swimming pools in vibrant acrylic, then a comparatively new medium.
summer 1966
Meeting Peter Schlesinger
While teaching at UCLA, Hockney meets Peter Schlesinger, an art student who poses for paintings and drawings, and the two become romantically involved.
1966–1978
Stage designer: “Ubu Roi” and the Glyndebourne operas
Hockney’s first stage designs are for “Ubu Roi” at London’s Royal Court Theatre (1966), followed by Stravinsky’s “The Rake’s Progress” (1975) and “The Magic Flute” (1978) for the Glyndebourne Festival Opera. It is the start of the opera work that will go on in New York, Los Angeles, Chicago and London.
1967 · Distinction
John Moores Painting Prize
from 1968
Double portraits of friends, lovers and relatives
From 1968, and for the next few years, Hockney paints portraits and double portraits of friends, lovers and relatives just under life-size, in a realistic style that adroitly captures the likenesses. He returns to the portrait throughout his career, creating over 300 self-portraits.
27 juin 1968 – 6 octobre 1968
Exhibition: 4. documenta
