How it works

What We Mean When We Say “On View”

Every green badge on ART MAP is a claim with a source and a timestamp behind it. Here is the honesty contract, in full.

14 August 2026 · 6 min read · ART MAP editorial

It is surprisingly hard to know whether you can stand in front of a painting today. Museums rotate galleries, send works on loan, close rooms for conservation. Most websites — including many museums' own — show collection records, not display states. ART MAP was built around the difference.

Four separate facts

Ownership is who the work belongs to. Custody is who physically holds it. Location is where it is. Display is whether the public can see it. Our data model stores each separately, because history keeps proving they diverge: a painting can be owned in Boston, held by a conservator in Amsterdam, and displayed nowhere.

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89
On view — Gallery 240, Art Institute of Chicago. Verified against the museum's own API. View the work →

The confidence ladder

Verified means the owning museum's own machine-readable data asserts the state — like Chicago's is_on_view flag or the Met's gallery numbers. Reported means documented publicly, but not by a live feed — our editorial records of the Gardner theft, for example. We never write Inferred states in the demo dataset, and Unknown means exactly that. Every state carries the timestamp of its last confirmation, and it ages in public.

Prefer unknown over false certainty.

ART MAP design principles

When a state changes on re-ingest — a work comes off view, or returns — the old state is closed with its dates and kept forever. The graph doesn't overwrite history; it accumulates it.

Cover: A Sunday on La Grande Jatte — 1884 — Georges Seurat. Public domain (PD-Art), via Wikimedia Commons

What We Mean When We Say “On View” · Journal · ART MAP