Minority Majority

2012 · Sculpture

Mag men het zien?

Ontvangt momenteel niet

Whitney Museum of American Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd: 7 dagen geleden
Bron: De eigen collectiegegevens van het museum

Op de kaart Museumpagina

Gegevens

Inventarisnummer: 2016.262

Bronnen

Whitney Museum of American Art: the museum's own open data · opgehaald 7 dagen geleden
Afbeelding: Whitney Museum of American Art — © the artist or rights holder

Alle werken

Ground Rules (black line)

2015 · National Gallery of Art

Soul Bowl (for Parkett no. 98)

2016 · Niet te zien · Museum of Modern Art

“Do you hear me calling?” (Mama Mamama or What is Black Power)

2018 · Niet te zien · Whitney Museum of American Art

Horizontal Civil Tapestry

2019 · Niet te zien · Art Institute of Chicago

Buren in huis: Whitney Museum of American Art

Museumpagina

John Sloan

Backyards, Greenwich Village, 1914

Robert Henri

Gertrude Vanderbilt Whitney, 1916

Man Ray

New York, 1917/1966

Florine Stettheimer

New York/Liberty, 1918–1919

George Bellows

Dempsey and Firpo, 1924

Arshile Gorky

The Artist and His Mother, 1926–c. 1936

Charles Demuth

My Egypt, 1927

Gerald Murphy

Minority Majority

Ontvangt momenteel niet

Gegevens

Bronnen

Ground Rules (black line)

Soul Bowl (for Parkett no. 98)

“Do you hear me calling?” (Mama Mamama or What is Black Power)

Horizontal Civil Tapestry

Buren in huis: Whitney Museum of American Art

Backyards, Greenwich Village, 1914

Gertrude Vanderbilt Whitney, 1916

New York, 1917/1966

New York/Liberty, 1918–1919

Dempsey and Firpo, 1924

The Artist and His Mother, 1926–c. 1936

My Egypt, 1927

Cocktail, 1927

Minority Majority

Ontvangt momenteel niet

Gegevens

Bronnen

Ground Rules (black line)

Soul Bowl (for Parkett no. 98)

“Do you hear me calling?” (Mama Mamama or What is Black Power)

Horizontal Civil Tapestry

Buren in huis: Whitney Museum of American Art

Backyards, Greenwich Village, 1914

Gertrude Vanderbilt Whitney, 1916

New York, 1917/1966

New York/Liberty, 1918–1919

Dempsey and Firpo, 1924

The Artist and His Mother, 1926–c. 1936

My Egypt, 1927

Cocktail, 1927

Minority Majority

Ontvangt momenteel niet

Gegevens

Bronnen

Meer van Theaster Gates

Ground Rules (black line)

Soul Bowl (for Parkett no. 98)

“Do you hear me calling?” (Mama Mamama or What is Black Power)

Horizontal Civil Tapestry

Buren in huis: Whitney Museum of American Art

Backyards, Greenwich Village, 1914

Gertrude Vanderbilt Whitney, 1916

New York, 1917/1966

New York/Liberty, 1918–1919

Dempsey and Firpo, 1924

The Artist and His Mother, 1926–c. 1936

My Egypt, 1927

Cocktail, 1927

Minority Majority

Ontvangt momenteel niet

Gegevens

Bronnen

Meer van Theaster Gates

Ground Rules (black line)

Soul Bowl (for Parkett no. 98)

“Do you hear me calling?” (Mama Mamama or What is Black Power)

Horizontal Civil Tapestry

Buren in huis: Whitney Museum of American Art

Backyards, Greenwich Village, 1914

Gertrude Vanderbilt Whitney, 1916

New York, 1917/1966

New York/Liberty, 1918–1919

Dempsey and Firpo, 1924

The Artist and His Mother, 1926–c. 1936

My Egypt, 1927

Cocktail, 1927