Vercelli

1834–1900 · Werkzaam in

Great Britain

1845

“Venice is lost to me”: restoration is destruction

Alarmed by the combined effects of decay and modernisation on the city, Ruskin writes that Venice is lost to him, and becomes convinced that architectural restoration is destruction and that the only true and faithful action is preservation and conservation.

1845

First journey without his parents

At 26 Ruskin travels without his parents for the first time to study medieval art and architecture in France, Switzerland and above all Italy: in Lucca he sees the tomb of Ilaria del Carretto by Jacopo della Quercia, which he considers the finest example of Christian sculpture; he draws inspiration from the Campo Santo in Pisa, is especially struck by Fra Angelico and Giotto in Florence, and in Venice by the mosaics of St Mark's and Tintoretto's paintings in the Scuola di San Rocco.

April 1846

The second volume of “Modern Painters”

The second volume, written on the strength of his travels, concentrates on Renaissance and pre-Renaissance artists rather than Turner and is more theoretical than the first: Ruskin links the beautiful with the divine, and critics receive it more warmly, although many find his attack on the aesthetic orthodoxy of Joshua Reynolds hard to accept. That summer he is abroad again with his father, who still hopes his son might become a poet — one of many factors raising the tension between them.

October 1847

Engagement to Effie Gray

During 1847 Ruskin grows closer to Euphemia “Effie” Gray, the daughter of family friends, for whom he had once written “The King of the Golden River”; they become engaged in October.

10 april 1848

Married: Effie Gray