Drawing

Irving became a professional actor in 1856, and learned his trade in regional theatres until 1866, when he came to London. He joined the Lyceum Theatre company under the management of H. L. Bateman in 1871, winning great acclaim that year for his psychologically developed characterisation of the guilt-ridden inn-keeper Mathias in Leopold Lewis’s melodrama The Bells. He took on the responsibilities of ‘actor-manager’ in 1878 when he assumed the management of the Lyceum, and remained there until 1902, enjoying star status with his leading lady Ellen Terry (1847-1928). Irving produced a diverse range of old and new plays at the Lyceum, including Shakespeare, historical drama, and literary adaptations. His tireless work to elevate the status of the theatrical profession was rewarded in 1895 when he became the first actor ever to receive a knighthood for services to the Theatre.

The events of this play focus on the historical figure of Thomas Becket (1118-1170) during his time as Archbishop of Canterbury, which ended with his murder. The success of Irving's production led him to keep it in his repertory of plays, and it was the last role he performed before his death. His last words on stage were those of the dying Becket, saying "Into thy hands, O Lord, into thy hands". Later that evening Irving collapsed and died in the entrance hall of the Midland Hotel in Bradford.

Sir Amédée Forestier (1854 – 1930) was an Anglo-French artist and illustrator. He began working for the Illustrated London News in 1882 and became known for his attention to detail and historical illustrations.

This item is one of several theatrical drawings from a collection of sketches commissioned from contemporary artists to be printed in illustrated magazines. The collection was donated to the museum by Sir William James Ingram in 1914.