Ilya Repin乌克兰, 1844–1930伊凡雷帝杀子
Ivan the Terrible and his son Ivan on November 16, 1581
About the painting
《伊凡雷帝殺子，1581年11月16日》（俄語：Иван Грозный и сын его Иван 16 ноября 1581 года）是俄羅斯寫實主義畫家伊利亞·列賓於西元1883年至1885年間創作的作品。這幅畫作描繪了俄羅斯沙皇伊凡雷帝滿懷悲痛地抱著垂死的兒子──沙皇太子伊凡·伊万诺维奇。在盛怒之下，伊凡雷帝重擊了兒子的頭部重擊致命後的場景。畫中展現了伊凡雷帝臉上的痛苦與悔恨，而垂死的太子則因父親的行為，臉上流露出震驚與心碎的神情，眼中泛著淚光。
列賓以他的朋友兼藝術家格里戈里·米亞索耶多瓦作為伊凡雷帝的模特，並以作家弗谢沃洛德·迦尔洵作為太子的模特。這幅油畫完成後，列賓將其賣給帕維爾·特列季亞科夫，作為特列季亞科夫位於莫斯科特列季亚科夫画廊的典藏品。
《伊凡雷帝殺子》當前已被譽為俄羅斯最著名且具爭議的畫作之一，亦被也是列賓作品中心理張力最強烈的一幅作品。當前在特列季亞科夫畫廊向公眾展出。
作品信息
- 馆藏编号
- 743
出处
- 特列季亚科夫画廊: the museum's own open data · 3天前获取
- 图片： 特列季亚科夫画廊 — Museum open access
与此同时，在Ilya Repin的生活中
完整生平1877–1882
Savva Mamontov’s circle at Abramtsevo
In Moscow Repin frequented the art circle of Savva Mamontov at his estate Abramtsevo near Moscow, where he met many of the leading painters of the day — Vasily Polenov, Valentin Serov, Mikhail Vrubel.
1881
Proceeds from the portrait go to a monument for Mussorgsky
After Mussorgsky’s death Repin used the money from the sale of his portrait to erect a monument to the composer.
autumn 1882
Vozvrashcheniye v Peterburg
38-летний художник вернулся из Москвы с набросками «Запорожцев», «Ареста пропагандиста», «Ивана Грозного» и сотнями этюдов.
1883
“Religious Procession in Kursk Province” at the exhibition
Repin worked for three years on the picture, which he first called “The Wonder-Working Icon”, gathering material in Kursk province, Kiev and Chernigov; it contains at least seventy figures with clear characters. Novoye Vremya saw in it not an impartial image of Russian reality but only an exposure of the artist’s views, whereas Igor Grabar later held that it established Repin’s reputation as Russia’s foremost artist.
1883
Travels in Western Europe with Stasov; the Communards’ wall
In 1883 Repin travelled around Western Europe with Vladimir Stasov; the same year he painted “The Wall of Père Lachaise Cemetery Commemorating the Paris Commune”.
