Giambologna佛兰德, 1529–1608Model
可否一睹真容？
可以，正在迎客
维多利亚和阿尔伯特博物馆
展厅Medieval & Renaissance, Room 62, The Foyle Foundation Gallery倫敦, 英国
正对公众展出。由谁担保，见下文。
- 核实
- 7天前
- 此状态始于
- 2026年9月25日
- 出处
- 博物馆自己的馆藏数据
About the sculpture
Clays come from decomposed rocks ground down by weathering. Skill is needed in preparing wet clay to give it strength and ease of modelling, also to remove excess water and air before it is fired in a kiln. Firing fuses the clay particles and causes other structural changes that affect the colour and lead to shrinkage of about 10%. Comparatively few works in unfired clay survive because they are fragile and easily damaged. This figure is unfired and you can see the natural colour of the clay. Clay that is merely dried and not fired is known as ‘terra secca’. This is an unfired sketch model for grotesque masks on the façade of a building.
维多利亚和阿尔伯特博物馆
作品信息
- 馆藏编号
- 4107:1-1854
已收入目录
出处
- 维多利亚和阿尔伯特博物馆: the museum's own open data · 7天前获取
- 图片： 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London
