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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Harvard Art Museums, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei) e Wikidata (6 musei). Le immagini appartengono ai titolari dei diritti.

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Home Mappa Catalogo

Artisti
Eduardo Paolozzi

Regno Unito, Inghilterra · 1924–2005

Eduardo Paolozzi

477

in catalogo

1

esposte ora

5

collezioni

2

paesi

Opere Vita Mappa

Tutte Esposte · 1 In collezione Incerte

Little King, Sir Eduardo Paolozzi, 1958

Little King

1958 · Minneapolis Institute of Art

Week by Week, Eduardo Paolozzi, c. 1944

Week by Week

c. 1944 · Non esposta · Museum of Modern Art

Study for Sculpture, Eduardo Paolozzi, 1950

Study for Sculpture

1950 · Non esposta · Museum of Modern Art

Composition, Eduardo Paolozzi, 1951

Composition

1951 · Non esposta · Museum of Modern Art

Sculpture, Eduardo Paolozzi, 1951

Sculpture

1951 · Non esposta · Museum of Modern Art

Jason, Eduardo Paolozzi, 1956

Jason

1956 · Non esposta · Museum of Modern Art

Inkwells Loco-Motif, Eduardo Paolozzi, 1961

Inkwells Loco-Motif

1961 · Non esposta · National Gallery of Art

The Offspring of Eos, Eduardo Paolozzi, (c. 1961)

The Offspring of Eos

(c. 1961) · Non esposta · Museum of Modern Art

Plate (folio 21 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 21 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 9) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 9) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 20) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 20) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 10) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 10) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 4) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 4) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 11 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 11 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 17 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 17 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 20 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 20 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 14 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 14 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 23) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 23) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 17) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 17) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 18 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 18 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 2 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 2 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 4 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 4 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 19 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 19 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 16 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 16 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Title page from Metafisikal Translations, Eduardo Paolozzi, 1962

Title page from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 8) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 8) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 7 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 7 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 11) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 11) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 6) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 6) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 10 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 10 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 5 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 5 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 23 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 23 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 5) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 5) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 3 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 3 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Four Images from Film, Eduardo Paolozzi, 1962

Four Images from Film

1962 · Non esposta · Museum of Modern Art

Plate (folio 14) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 14) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

In-text plate (folio 8 verso) from Metafisikal Translations, Eduardo Paolozzi, 1962

In-text plate (folio 8 verso) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 7) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 7) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Metafisikal Translations, Eduardo Paolozzi, 1962

Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Plate (folio 12) from Metafisikal Translations, Eduardo Paolozzi, 1962

Plate (folio 12) from Metafisikal Translations

1962 · Non esposta · Museum of Modern Art

Conjectures to Identity, Eduardo Paolozzi, 1963

Conjectures to Identity

1963 · Non esposta · Museum of Modern Art

Wittgenstein as Soldier, Eduardo Paolozzi, 1964

Wittgenstein as Soldier

1964 · Non esposta · Museum of Modern Art

Futurism at Lenabo, Eduardo Paolozzi, 1964

Futurism at Lenabo

1964 · Non esposta · Museum of Modern Art

Lotus, Eduardo Paolozzi, 1964

Lotus

1964 · Non esposta · Museum of Modern Art

Wittgenstein in N.Y., Eduardo Paolozzi, 1964

Wittgenstein in N.Y.

1964 · Non esposta · Museum of Modern Art

Tortured Life, Eduardo Paolozzi, 1964

Tortured Life

1964 · Non esposta · Museum of Modern Art

Transparent Creatures Hunting New Victims from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Transparent Creatures Hunting New Victims from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Wittgenstein at the Cinema Admires Betty Grable (plate, folio 15) from As Is When, Eduardo Paolozzi, 1965

Wittgenstein at the Cinema Admires Betty Grable (plate, folio 15) from As Is When

1965 · Non esposta · Museum of Modern Art

Poster (plate, folio 3) from As Is When, Eduardo Paolozzi, 1965

Poster (plate, folio 3) from As Is When

1965 · Non esposta · Museum of Modern Art

The Impossible Dream . . . It's All the Same from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

The Impossible Dream . . . It's All the Same from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Part One, Frozen Terror . . . Part Two, Fangs of Death from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Part One, Frozen Terror . . . Part Two, Fangs of Death from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Synthetic Sirens in the Pink Light District from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Synthetic Sirens in the Pink Light District from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Early Mental Traits of 300 Geniuses from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Early Mental Traits of 300 Geniuses from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Almost Any Suburb from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Almost Any Suburb from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Temporary Variations in Experienced Type from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Temporary Variations in Experienced Type from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Sex Crime Wave Rolling High from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Sex Crime Wave Rolling High from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Studies in Human Salvage from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Studies in Human Salvage from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Calling Radio Free America from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Calling Radio Free America from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Collating chart accompanying General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Collating chart accompanying General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Careers Today . . . How Children Fail from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Careers Today . . . How Children Fail from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Wittgenstein as Soldier (plate, folio 8) from As Is When, Eduardo Paolozzi, 1965

Wittgenstein as Soldier (plate, folio 8) from As Is When

1965 · Non esposta · Museum of Modern Art

Totems and Taboos of the Nine-to-Five Day from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Totems and Taboos of the Nine-to-Five Day from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Plate Interpreted as a Whole (Whole Answer) from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Plate Interpreted as a Whole (Whole Answer) from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Comparative Research in Inexperienced Types from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Comparative Research in Inexperienced Types from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

The Puzzle of Female Pleasure from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

The Puzzle of Female Pleasure from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Hermaphroditic Children from Transvestite Parents from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Hermaphroditic Children from Transvestite Parents from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

The Spirit of the Snake (plate, folio 13) from As Is When, Eduardo Paolozzi, 1965

The Spirit of the Snake (plate, folio 13) from As Is When

1965 · Non esposta · Museum of Modern Art

Jesus Colour by Numbers from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Jesus Colour by Numbers from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Risk-Taking as a Function of the Situation from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Risk-Taking as a Function of the Situation from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Ready to Sparkle Fashions from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Ready to Sparkle Fashions from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Smash Hit, Good Loving, Plus Like a Rolling Stone, Slow Down, Etc. from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Smash Hit, Good Loving, Plus Like a Rolling Stone, Slow Down, Etc. from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Reality (plate, folio 7) from As Is When, Eduardo Paolozzi, 1965

Reality (plate, folio 7) from As Is When

1965 · Non esposta · Museum of Modern Art

How to Spend Time in Hollywood from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

How to Spend Time in Hollywood from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

A Single Series, Consisting of Twenty Choices from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

A Single Series, Consisting of Twenty Choices from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Twenty Traumatic Twinges from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Twenty Traumatic Twinges from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Brainiac 5 no puede ganar contra tres maquinas from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Brainiac 5 no puede ganar contra tres maquinas from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

New Semester Reward of the Oppressed from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

New Semester Reward of the Oppressed from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

No Heroes Developed from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

No Heroes Developed from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Wittgenstein in New York (plate, folio 9) from As Is When, Eduardo Paolozzi, 1965

Wittgenstein in New York (plate, folio 9) from As Is When

1965 · Non esposta · Museum of Modern Art

He Must, So to Speak, Throw Away the Ladder (plate, folio 14) from As Is When, Eduardo Paolozzi, 1965

He Must, So to Speak, Throw Away the Ladder (plate, folio 14) from As Is When

1965 · Non esposta · Museum of Modern Art

An Empire of Silly Statistics . . . A Fake War for Public Relations from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

An Empire of Silly Statistics . . . A Fake War for Public Relations from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Will Man Desert the Dog for the Dolophin from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Will Man Desert the Dog for the Dolophin from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Fifty Nine Varieties of Paradise from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Fifty Nine Varieties of Paradise from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Futurism at Lenabo (plate, folio 11) from As Is When, Eduardo Paolozzi, 1965

Futurism at Lenabo (plate, folio 11) from As Is When

1965 · Non esposta · Museum of Modern Art

Wittgenstein at the Cinema Admires Betty Hutton, Eduardo Paolozzi, 1965

Wittgenstein at the Cinema Admires Betty Hutton

1965 · Non esposta · Museum of Modern Art

General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Frank Lloyd Wright Says . . . Tough Times from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Frank Lloyd Wright Says . . . Tough Times from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

6 Miles Over Vacation-Land from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

6 Miles Over Vacation-Land from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Why Children Commit Suicide . . . Read Next Month's Issue from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Why Children Commit Suicide . . . Read Next Month's Issue from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Parrot (plate, folio 10) from As Is When, Eduardo Paolozzi, 1965

Parrot (plate, folio 10) from As Is When

1965 · Non esposta · Museum of Modern Art

The ABC of Z from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

The ABC of Z from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Cary Grant as a Male War Bride from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Cary Grant as a Male War Bride from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Cucumber Night Cream from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Cucumber Night Cream from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Animals as Aliens from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Animals as Aliens from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Mumbling and Munching to Muzak from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Mumbling and Munching to Muzak from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

Becoming Is Meaning Like Nothing Is Going from General Dynamic F.U.N., Eduardo Paolozzi, 1965–70, published 1970

Becoming Is Meaning Like Nothing Is Going from General Dynamic F.U.N.

1965–70, published 1970 · Non esposta · Museum of Modern Art

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Eduardo Paolozzi · ART WIKI