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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Harvard Art Museums, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei) e Wikidata (6 musei). Le immagini appartengono ai titolari dei diritti.

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Artisti
Max Ernst

Francia, Germania, Stati Uniti, Cuba · 1891–1976

Max Ernst

Max Ernst è stato un pittore e scultore tedesco naturalizzato francese.

249

in catalogo

20

esposte ora

6

collezioni

2

paesi

Opere Vita Mappa

Tutte Esposte · 20 In collezione Incerte

Two Children Are Threatened by a Nightingale (Deux Enfants sont menacés par un rossignol), Max Ernst, 1924

Two Children Are Threatened by a Nightingale (Deux Enfants sont menacés par un rossignol)

1924 · Museum of Modern Art

Soleil rouge maritime, Max Ernst, 1927

Soleil rouge maritime

1927 · Minneapolis Institute of Art

Birds above the Forest (Oiseaux au-dessus de la forêt), Max Ernst, 1929

Birds above the Forest (Oiseaux au-dessus de la forêt)

1929 · Museum of Modern Art

Bird-Head (Oiseau-tête), Max Ernst, 1934-35

Bird-Head (Oiseau-tête)

1934-35 · Museum of Modern Art

A Moment of Calm, Max Ernst, 1939

A Moment of Calm

1939 · National Gallery of Art

Napoleon in the Wilderness, Max Ernst, 1941

Napoleon in the Wilderness

1941 · Museum of Modern Art

Forest and Sun, Max Ernst, 1927

Forest and Sun

1927 · Art Institute of Chicago

Self-Constructed Little Machine, Max Ernst, 1919/20

Self-Constructed Little Machine

1919/20 · Art Institute of Chicago

The Massacre of the Innocents, Max Ernst, 1920

The Massacre of the Innocents

1920 · Art Institute of Chicago

Untitled (Birds), Max Ernst, 1924

Untitled (Birds)

1924 · Art Institute of Chicago

Human Figure with Two Birds, Max Ernst, 1925/29

Human Figure with Two Birds

1925/29 · Art Institute of Chicago

The Blue Forest, Max Ernst, 1925

The Blue Forest

1925 · Art Institute of Chicago

Marceline and Marie, Max Ernst, 1929–30

Marceline and Marie

1929–30 · Art Institute of Chicago

Untitled (Loplop Presents), Max Ernst, 1932

Untitled (Loplop Presents)

1932 · Art Institute of Chicago

Untitled (Loplop Presents), Max Ernst, 1932

Untitled (Loplop Presents)

1932 · Art Institute of Chicago

Garden Airplane-Trap, Max Ernst, 1935

Garden Airplane-Trap

1935 · Art Institute of Chicago

Untitled (The Bird People), Max Ernst, 1942

Untitled (The Bird People)

1942 · Art Institute of Chicago

Le Déjeuner sur l'Herbre, Max Ernst, 1944

Le Déjeuner sur l'Herbre

1944 · Cleveland Museum of Art

An Anxious Friend, Max Ernst, 1944

An Anxious Friend

1944 · Art Institute of Chicago

Landscape, Max Ernst, 1957

Landscape

1957 · Art Institute of Chicago

Untitled, Max Ernst, 1920s

Untitled

1920s · Non esposta · Museum of Modern Art

Helio Alcohodada, Max Ernst, 1919

Helio Alcohodada

1919 · Non esposta · Museum of Modern Art

Plate V from Let There Be Fashion, Down With Art (Fiat modes pereat ars), Max Ernst, 1920

Plate V from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · Non esposta · Museum of Modern Art

Title page from Let There Be Fashion, Down with Art (Fiat modes pereat ars), Max Ernst, 1920

Title page from Let There Be Fashion, Down with Art (Fiat modes pereat ars)

1920 · Non esposta · Museum of Modern Art

Hypertrophic Trophy (hypertrophie trophäe, trophée hypertrophique), Max Ernst, 1920

Hypertrophic Trophy (hypertrophie trophäe, trophée hypertrophique)

1920 · Non esposta · Museum of Modern Art

Farewell My Beautiful Land of Marie Laurencin (Adieu mon beau pays de Marie Laurencin), Max Ernst, 1920

Farewell My Beautiful Land of Marie Laurencin (Adieu mon beau pays de Marie Laurencin)

1920 · Non esposta · Museum of Modern Art

The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac), Max Ernst, 1920

The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac)

1920 · Non esposta · Museum of Modern Art

Plate III from Let There Be Fashion, Down With Art (Fiat modes pereat ars), Max Ernst, 1920

Plate III from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · Non esposta · Museum of Modern Art

Plate II from Let There Be Fashion, Down With Art (Fiat modes pereat ars), Max Ernst, 1920

Plate II from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · Non esposta · Museum of Modern Art

Here Everything Is Still Floating (Hier ist noch alles in der Schwebe), Max Ernst, 1920

Here Everything Is Still Floating (Hier ist noch alles in der Schwebe)

1920 · Non esposta · Museum of Modern Art

Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer), Max Ernst, 1920

Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer)

1920 · Non esposta · Museum of Modern Art

Plate VII from Let There Be Fashion, Down With Art (Fiat modes pereat ars), Max Ernst, 1920

Plate VII from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · Non esposta · Museum of Modern Art

Plate VIII from Let There Be Fashion, Down With Art (Fiat modes pereat ars), Max Ernst, 1920

Plate VIII from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · Non esposta · Museum of Modern Art

Plate VI from Let There Be Fashion, Down With Art (Fiat modes pereat ars), Max Ernst, 1920

Plate VI from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · Non esposta · Museum of Modern Art

Cover from Let There Be Fashion, Down with Art (Fiat modes pereat ars), Max Ernst, 1920

Cover from Let There Be Fashion, Down with Art (Fiat modes pereat ars)

1920 · Non esposta · Museum of Modern Art

The Hat Makes the Man (C'est le chapeau qui fait l'homme), Max Ernst, 1920

The Hat Makes the Man (C'est le chapeau qui fait l'homme)

1920 · Non esposta · Museum of Modern Art

The Horse He's Sick (Un Peu malade le cheval), Max Ernst, 1920

The Horse He's Sick (Un Peu malade le cheval)

1920 · Non esposta · Museum of Modern Art

Plate I from Let There Be Fashion, Down With Art (Fiat modes pereat ars), Max Ernst, 1920

Plate I from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · Non esposta · Museum of Modern Art

Plate IV from Let There Be Fashion, Down With Art (Fiat modes pereat ars), Max Ernst, 1920

Plate IV from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · Non esposta · Museum of Modern Art

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses), Max Ernst, 1921

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses)

1921 · Non esposta · Museum of Modern Art

Woman, Old Man, and Flower (Weib, Greis und Blume), Max Ernst, Paris 1923, Eaubonne 1924

Woman, Old Man, and Flower (Weib, Greis und Blume)

Paris 1923, Eaubonne 1924 · Non esposta · Museum of Modern Art

Au 125 du boulevard Saint-Germain, Max Ernst, 1923

Au 125 du boulevard Saint-Germain

1923 · Non esposta · Museum of Modern Art

Conjugal Diamonds, Max Ernst, 1925

Conjugal Diamonds

1925 · Non esposta · National Gallery of Art

To Forget Everything (A tout oublier) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

To Forget Everything (A tout oublier) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Fascinating Cypress (Le Fascinant cyprès) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Fascinating Cypress (Le Fascinant cyprès) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Idol (L'Idole) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Idol (L'Idole) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

In the Stable of the Sphinx (Dans l'écurie du sphinx) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

In the Stable of the Sphinx (Dans l'écurie du sphinx) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Sea and Rain (La Mer et la pluie) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Sea and Rain (La Mer et la pluie) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Teenage Lightning (Les Éclairs au-dessous de quatorze ans) from Natural History (Histoire Naturelle), Max Ernst, c. 1925, published 1926

Teenage Lightning (Les Éclairs au-dessous de quatorze ans) from Natural History (Histoire Naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Solar Currency-System (Système de monnaie solaire) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Solar Currency-System (Système de monnaie solaire) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Stallion and Bride of the Wind (L'Étalon et la fiancée du vent) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Stallion and Bride of the Wind (L'Étalon et la fiancée du vent) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Chestnut Trees Take-Off (Le Start du châtaignier) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Chestnut Trees Take-Off (Le Start du châtaignier) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Scars (Les Cicatrices) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Scars (Les Cicatrices) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Lime Tree Is Docile (Le Tilleul est docile) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Lime Tree Is Docile (Le Tilleul est docile) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

She Guards Her Secret (Elle garde son secret) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

She Guards Her Secret (Elle garde son secret) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Habit of Leaves (Les Moeurs des feuilles) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Habit of Leaves (Les Moeurs des feuilles) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Eve, the Only One Left to Us (Éve la seule qui nous reste) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Eve, the Only One Left to Us (Éve la seule qui nous reste) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Vaccinated Bread (Le Pain vacciné) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Vaccinated Bread (Le Pain vacciné) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Scarecrows (Les Épouvantails) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Scarecrows (Les Épouvantails) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Conjugal Diamonds (Les Diamants conjugaux) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Conjugal Diamonds (Les Diamants conjugaux) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

A Glance (Un coup d'oeil) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

A Glance (Un coup d'oeil) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Whip Lashes or Lava Threads (Coups de fouet ou ficelles de lave) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Whip Lashes or Lava Threads (Coups de fouet ou ficelles de lave) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

He Will Fall Far from Here (Il tombera loin d'ici) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

He Will Fall Far from Here (Il tombera loin d'ici) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Fugitive (L'Évadé) from Natural History (Histoire Naturelle), Max Ernst, c. 1925, published 1926

The Fugitive (L'Évadé) from Natural History (Histoire Naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Earthquake (Le Tremblement de terre) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Earthquake (Le Tremblement de terre) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Pampas (Les Pampas) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Pampas (Les Pampas) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Caesar's Palette (La Palette de César) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Caesar's Palette (La Palette de César) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

False Positions (Les Fausses positions) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

False Positions (Les Fausses positions) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Fields of Honor, Flood, Seismic Plants (Les Champs d'honneur, les inondations, les plantes sismiques) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Fields of Honor, Flood, Seismic Plants (Les Champs d'honneur, les inondations, les plantes sismiques) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Little Tables around the Earth (Petites tables autour de la terre) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Little Tables around the Earth (Petites tables autour de la terre) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Iceflower Shawl and Gulf Stream (Le Châle à fleurs givre) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Iceflower Shawl and Gulf Stream (Le Châle à fleurs givre) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Come into the Continents (Entre dans les continents) from Natural History (Histoire Naturelle), Max Ernst, c. 1925, published 1926

Come into the Continents (Entre dans les continents) from Natural History (Histoire Naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Shaving the Walls (Rasant les murs) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Shaving the Walls (Rasant les murs) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Wheel of Light (La Roue de la lumière) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Wheel of Light (La Roue de la lumière) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Confidences (Les Confidences) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

Confidences (Les Confidences) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Origin of the Clock (L'Origine de la pendule) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Origin of the Clock (L'Origine de la pendule) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

The Repast of Death (Le Repas du mort) from Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926

The Repast of Death (Le Repas du mort) from Natural History (Histoire naturelle)

c. 1925, published 1926 · Non esposta · Museum of Modern Art

Je ne mange pas de ce pain-là (I’d Rather Starve), Max Ernst, Published 1936 (text 1926–34)

Je ne mange pas de ce pain-là (I’d Rather Starve)

Published 1936 (text 1926–34) · Non esposta · Museum of Modern Art

To the Rendezvous of Friends (The Friends Become Flowers, Snakes, and Frogs) (Au rendez-vous des amis [Les amis se transforment en fleurs, en serpents, et en grenouilles]), Max Ernst, 1928

To the Rendezvous of Friends (The Friends Become Flowers, Snakes, and Frogs) (Au rendez-vous des amis [Les amis se transforment en fleurs, en serpents, et en grenouilles])

1928 · Non esposta · Museum of Modern Art

The Sea (Marine), Max Ernst, 1928

The Sea (Marine)

1928 · Non esposta · Museum of Modern Art

Plate (folio 13) from 23 Gravures, Max Ernst, 1930, published 1935

Plate (folio 13) from 23 Gravures

1930, published 1935 · Non esposta · Museum of Modern Art

Loplop Introduces Members of the Surrealist Group (Loplop présente les membres du groupe surréaliste), Max Ernst, 1931

Loplop Introduces Members of the Surrealist Group (Loplop présente les membres du groupe surréaliste)

1931 · Non esposta · Museum of Modern Art

Butterflies (Papillons), Max Ernst, 1931

Butterflies (Papillons)

1931 · Non esposta · Museum of Modern Art

Sun and Forest (Soleil et forêt), Max Ernst, 1931

Sun and Forest (Soleil et forêt)

1931 · Non esposta · Museum of Modern Art

Forest and Sun, Max Ernst, 1931

Forest and Sun

1931 · Non esposta · Museum of Modern Art

Volume IV: Oedipe (Volume IV: Oedipus) from Une Semaine de bonté ou les sept éléments capitaux (A Week of Kindness or the Seven Deadly Elements), Max Ernst, 1933–34, published 1934

Volume IV: Oedipe (Volume IV: Oedipus) from Une Semaine de bonté ou les sept éléments capitaux (A Week of Kindness or the Seven Deadly Elements)

1933–34, published 1934 · Non esposta · Museum of Modern Art

Une Semaine de bonté ou les sept éléments capitaux (A Week of Kindness or the Seven Deadly Elements), Max Ernst, 1933–1934, published 1934

Une Semaine de bonté ou les sept éléments capitaux (A Week of Kindness or the Seven Deadly Elements)

1933–1934, published 1934 · Non esposta · Museum of Modern Art

Volume III: La Cour du dragon (Volume III: The Court of the Dragon) from Une Semaine de bonté ou les sept éléments capitaux (A Week of Kindness or the Seven Deadly Elements), Max Ernst, 1933–34, published 1934

Volume III: La Cour du dragon (Volume III: The Court of the Dragon) from Une Semaine de bonté ou les sept éléments capitaux (A Week of Kindness or the Seven Deadly Elements)

1933–34, published 1934 · Non esposta · Museum of Modern Art

Volume V: Le Rire du coq, L'Ile de Pâques, L'Intérieur de la vue, La Clé des chants (Volume V: The Rooster's Laugh, Easter Island, The Interior of Sight, The Key to Songs) from Une Semaine de bonté (A Week of Kindness or the Seven Deadly Elements), Max Ernst, 1933–34, published 1934

Volume V: Le Rire du coq, L'Ile de Pâques, L'Intérieur de la vue, La Clé des chants (Volume V: The Rooster's Laugh, Easter Island, The Interior of Sight, The Key to Songs) from Une Semaine de bonté (A Week of Kindness or the Seven Deadly Elements)

1933–34, published 1934 · Non esposta · Museum of Modern Art

Volume I: Le Lion de Belfort (Volume I: The Lion of Belfort) from Une Semaine de bonté ou les sept éléments capitaux (A Week of Kindness or the Seven Deadly Elements), Max Ernst, 1933–34, published 1934

Volume I: Le Lion de Belfort (Volume I: The Lion of Belfort) from Une Semaine de bonté ou les sept éléments capitaux (A Week of Kindness or the Seven Deadly Elements)

1933–34, published 1934 · Non esposta · Museum of Modern Art

Volume II: L'Eau (Volume II: Water) from Une Semaine de bonté ou les sept éléments capitaux (A Week of Kindness or the Seven Deadly Elements), Max Ernst, 1933–34, published 1934

Volume II: L'Eau (Volume II: Water) from Une Semaine de bonté ou les sept éléments capitaux (A Week of Kindness or the Seven Deadly Elements)

1933–34, published 1934 · Non esposta · Museum of Modern Art

The Blind Swimmer (Nageur aveugle), Max Ernst, 1934

The Blind Swimmer (Nageur aveugle)

1934 · Non esposta · Museum of Modern Art

Untitled, Max Ernst, 1934

Untitled

1934 · Non esposta · Museum of Modern Art

Lunar Asparagus, Max Ernst, 1935

Lunar Asparagus

1935 · Non esposta · Museum of Modern Art

Lunar Asparagus (Les Asperges de la lune), Max Ernst, 1935 (cast 1972)

Lunar Asparagus (Les Asperges de la lune)

1935 (cast 1972) · Non esposta · Museum of Modern Art

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Max Ernst · ART WIKI